Biography ( ENGLISH )




Mohammed Rafi Saheb Biography


Mohammed Rafi (24 December 1924 – 31 July 1980) was an Indian playback singer and composer. He is considered one of the greatest and most influential singers of the Indian subcontinent. Rafi was notable for his versatility and vocal range; His songs range from peppy peppy numbers to patriotic songs, sad numbers to highly romantic songs, qawwali to ghazals and bhajans to classical songs. He was known for his ability to mold his voice into the personality and style of an actor lip-syncing songs on screen in films. He received six Filmfare Awards and one National Film Award. In 1967, he was awarded the Padma Shri award by the Government of India. In 2001, Rafi was awarded the title “Best Singer of the Millennium” by Hero Honda and Stardust magazine. In 2013, Rafi was voted the greatest voice of Hindi cinema in a CNN-IBN poll.

He recorded songs for over a thousand Hindi films and many Indian languages as well as some foreign languages, though mainly in Urdu and Punjabi, over which he had a strong command. He recorded more than 7,000 songs during his career in many languages and dialects such as Konkani, Assamese, Bhojpuri, Oriya, Bengali, Marathi, Sindhi, Kannada, Gujarati, Tamil, Telugu, Magahi, Maithili etc. , He also sang in some foreign languages including English, Persian, Arabic, Sinhala, Mauritian Creole and Dutch.


Rafi Sahab’s journey before becoming Mohammad Rafi

Mohammed Rafi was the second eldest of six brothers born to Allah Rakhi and Haji Ali Mohammed in a Punjabi Jat Muslim family. The family was originally from Kotla Sultan Singh, a village near present-day Majitha in the Amritsar district of Punjab, India. Rafi, nicknamed Feeko, started singing by imitating the chants of a fakir who roamed the streets of his native village Kotla Sultan Singh. Rafi’s father moved to Lahore in 1935, where he ran a men’s barber shop in Noor Mohalla, Bhati Gate. Rafi learned classical music from Ustad Abdul Wahid Khan, Pandit Jeevan Lal Mattu and Firoz Nizami. Her first public performance came at the age of 13, when she sang with K L Sehgal in Lahore. In 1941, Rafi made his debut in Lahore as a playback singer in the duet “Soniye Ni, Heeriye Ni” with Zeenat Begum in the Punjabi film Gul Baloch (released in 1944) under the direction of music director Shyam Sunder. In the same year, Rafi was invited by All India Radio Lahore station to sing for them.


Now after Lahore, the hard work behind becoming Mohammed Rafi in Mumbai

In 1944, Rafi moved to Bombay (now Mumbai), Maharashtra. He and Hameed Sahab rented a ten-by-ten feet room in the crowded Bhindi Bazaar area of the city. Poet Tanveer Naqvi introduced him to filmmakers including Abdur Rashid Kardar, Mehboob Khan and actor-director Nazir. Shyam Sundar was in Bombay and offered Rafi the opportunity to sing a duet with GM Durrani, “Aji Dil Ho Kaaboo Mein To Dildaar Ki Aisi Taisi…,” for Gaon Ki Gori, which was Rafi’s first appearance in a Hindi film. The song became recorded. , Other songs followed.

Rafi’s first song with Naushad was A.R. Kardar’s first was “Hindustan Ke Hum Hain” from Aap (1944) with Shyam Kumar, Alauddin and others. Around the same time, Rafi recorded another song “Aji Dil Ho Kaabu Mein” for the 1945 film Gaon Ki Gori. He considered this song as his first Hindi language song.

Rafi appeared in two films. He appeared on screen to sing “Tera Jalwa Jis Ne Dekha” in the film Laila Majnu (1945) and “Woh Apni Yaad Dilane Ko” in the film Jugnu (1947). [16] She sang several songs for Naushad as part of the chorus, including “Mere Sapno Ki Rani, Roohi Roohi” from the film Shahjahan (1946) with K. L. Sehgal. Rafi sang “Tera Toyo Toota Balak” from Mehboob Khan’s Anmol Ghadi (1946) and “Yahan Badla Wafa Ka”, a duet with Noor Jahan in the 1947 film Jugnu. After Partition, Rafi decided to stay back in India and sent the rest of his family to Bombay. Noor Jehan moved to Pakistan and paired up with playback singer Ahmed Rushdi.

In 1949, music directors like Naushad (Chandni Raat, Dillagi Aur Dulari), Shyam Sundar (Bazaar) and Husnlal Bhagatram (Meena Bazaar) gave solo songs to Rafi.

Apart from K L Sehgal, whom he considered his favourite, Rafi was also influenced by G M Durrani. In the early phase of his career, he often followed Durrani’s singing style, but later he developed his own unique style. He sang some songs with Durrani like “Humko Hanste Dekh Jamana Jalta Hai” and “Khabar Kisi Ko Nahi, Woh Kidhar Dekhte” (Beksoor, 1950).

In 1948, after the assassination of Mahatma Gandhi, the team of Husnlal Bhagatram-Rajendra Krishna-Rafi composed the song “Suno Suno Ae Duniyawalon, Bapuji Ki Amar Kahani” overnight. She was invited by Indian Prime Minister Jawaharlal Nehru to sing at his home. In 1948, Rafi received a silver medal from Jawaharlal Nehru on Indian Independence Day.


Rafi Sahab’s early career

Recording career in the 1950s and 1960s

In his early career, Rafi associated with several contemporary music directors, the most notable being Naushad Ali. In the late 1950s and 1960s, he worked with O.P. Nayyar, Shankar Jaikishan, S.D. Burman and Roshan.

>Working with Naushad

According to Naushad, Rafi came to him with a letter of recommendation from Naushad’s father. Rafi’s first song for Naushad Ali was “Hindustan Ke Hum Hain” (“We belong to Hindustan”) for the film Pehle Aap in 1944. The first song for the duo was the soundtrack of the film Anmol Ghadi (1946).

Rafi’s association with Naushad helped establish him as one of the most prominent playback singers in Hindi cinema. Songs like “O Duniya Ke Rakhwale” and “Man Tarpat Har Darshan Ko Aaj” from Baiju Bawra (1952) further enhanced Rafi’s credibility. Rafi sang a total of 149 songs (81 of them solo) for Naushad. Before Rafi, Naushad’s favorite singer was Talat Mehmood. Once during the recording, Naushad saw Talat smoking.


> Work with S D Burman

S. D. Burman used Rafi as the singing voice of Dev Anand and Guru Dutt. Rafi worked with Burman in 37 films including Pyaasa (1957), Kaagaz Ke Phool (1959), Kala Bazaar (1960), Nau Do Gyarah (1957), Kala Paani (1958), Tere Ghar Ke Samne (1963), Guide (1963). Worked in films. 1965), Aradhana (1969), Ishq Par Zor Nahin (1970) and Abhimaan (1973).
Work with Shankar-Jaikishan



>With Shankar-Jaikishan

Rafi’s partnership was one of the most famous and successful in the Hindi film industry. He worked with him in his first film Barsaat (1949). Under Shankar-Jaikishan, Rafi composed some of his songs for actors like Shammi Kapoor and Rajendra Kumar. Of the six Filmfare Awards, Rafi won three for the S-J songs – “Teri Pyaari Pyaari Surat Ko”, “Baharon Phool Barsao” and “Dil Ke Jharokhe Mein.” The song “Chahe Koi Mujhe Junglee Kahe” was sung by Rafi, matched to a fast-paced orchestration and composition by Shankar Jaikishan. S-J gave playback to Rafi for Kishore Kumar in the film Shararat (“Ajab Hai Dastaan Teri Yeh Zindagi”). Rafi sang a total of 341 numbers—216 solos—for Shankar-Jaikishan. [24] Films of this combination include: Awara, Boot Polish, Basant Bahar, Professor, Junglee, Asli-Nakali, Rajkumar, Suraj, Sangam, Brahmachari, Arzoo, An Evening in Paris, Dil Tera Deewana, Yaqeen, Prince, Love in Tokyo, Beti Beti, Dil Ek Mandir, Dil Apna Aur Preet Parai, Gaban and Jab Pyar Kisi Se Hota Hai.


> Work with Ravi

Rafi received his first Filmfare Award for the title song of Chaudhvin Ka Chand (1960), which was composed by Ravi. He received a National Award for the song “Babul Ki Duain Leti Jaa” from the film Neel Kamal (1968), which was also composed by Ravi. Rafi cried during the recording of this song, which he admitted in an interview with BBC in 1977.

Ravi and Rafi composed many other songs in the films China Town (1962), Kajal (1965), Do Badan (1966) and Ek Phool Do Mali (1969).


> Work with Madan Mohan

Madan Mohan was another musician whose favorite singer was Rafi. Rafi’s first solo song was “Hum Ishq Mein Barbad Hain Barbad Rahenge” with Madan Mohan in Aankhen (1950). He produced many songs including “Teri Aankhon Ke Siva”, “Yeh Duniya Ye Mehfil”, “Tum Jo Mil Gaye Ho”, “Kur Chale Hum Fida”, “Meri Awaaz Suno” and “Aap Ke Pehlu Mein Aakur”. ,
Work with OP Nayyar

In the 1950s and 1960s, Rafi and O. P. Nayyar (OP) composed the music. O.P. Nayyar was once quoted as saying “If Mohammed Rafi had not been there, O.P. Neither are Nayyars.”[26]

He and Rafi together composed many songs including “Yeh Hai Bombay Meri Jaan”. He got Rafi to sing for singer-actor Kishore Kumar – “Man Mora Bawra” for the film Ragini. Later, Rafi sang for Kishore Kumar in films like Baaghi, Shehzada and Shararat. OP Nayyar used Rafi and Asha Bhosle for most of his songs. The team composed several songs in the 1950s and early 1960s for films such as Naya Daur (1957), Tumsa Nahi Dekha (1957), Ek Musafir Ek Haseena (1962) and Kashmir Ki Kali (1964). Rafi sang a total of 197 numbers (56 solos) for Nayyar. [27] The songs “Jawaaniyan Ye Mast Mast” and the title song “Yun To Hume Lakh Hanse Dekhe Hain, Tumsa Nahi Dekha” from the film Tumsa Nahi Dekha were hits. After that came songs like “Yeh Chand Sa Roshan Chehra” from Kashmir Ki Kali.

There was a rift between Rafi and OP during the recording of the film “Sawan Ki Ghata”. As revealed by OP during one of his interviews; Rafi informed about the delay in recording saying that he was stuck in Shankar Jaikishan’s recording. OP then said that from now on he also has no time for Rafi and canceled the recording. They did not work together for the next 3 years.


> Work with Laxmikant-Pyarelal


The music composer duo Laxmikant-Pyarelal (L-P) patronized Rafi as one of their singers right from his first song in the film Parasmani (1963). Rafi and L-P won a Filmfare Award for the song “Chahonga Mein Tujhe Saanj Suvere” from Dosti (1964). Among all music directors, Rafi sang the most number of songs for the music director duo Laxmikant-Pyarelal: 388.

Once, when composer Nisar Bazmee, who had once worked with Laxmikant-Pyarelal before they left for Pakistan, did not have enough money to pay him, Rafi charged a fee of one rupee and sang for him. He also provided financial help to the producers. As Laxmikant once observed – “He always gave without thinking of returns”.


> Work with Kalyanji Anandji

Kalyanji Anandji composed about 170 songs in Rafi’s voice. Kalyanji’s association with Rafi began with the 1958 film Samrat Chandragupta, which was his first film as a solo composer. Kalyani-Anandji and Rafi worked together for the music of Shashi Kapoor-starrer Haseena Maan Jayegi (1968), which included songs like “Bekhudi Mein Sanam” and “Chale De Saath Milke”.

Work with contemporary singers

Rafi associated with many of his contemporaries, singing duets with them and sometimes for them (as in the case of Kishore Kumar who was also an actor). Rafi has sung the most number of duets with Asha Bhosle (female), Manna Dey (male) and Lata Mangeshkar (female).

In the song “Humko Tumse Ho Gaya Hai Pyaar” (Amar Akbar Anthony), Rafi sang a song with Kishore Kumar, Lata Mangeshkar and Mukesh, who is the most famous singer of Bollywood. This was probably the only occasion when everyone lent their voices to one song.


> Work with other music directors

Rafi sang frequently for all music directors during his lifetime, including C. Ramachandra, Roshan, Jaidev, Khayyam, Rajesh Roshan, Ravindra Jain, Bappi Lahiri, Sapan Jagmohan, T.V.Raju, S.Hanumantha Rao, etc. He had a special and prominent association. Usha Khanna, Sonik Omi, Chitragupta, S.N. Tripathi, N. Dutta and R.D. Burman. He also sang for many small-time and lesser-known music directors. For many he sang for free, immortalizing his compositions; He believed in selflessly supporting producers financially and helping small projects that could not afford much. Many people in the industry received regular financial help from Rafi.
personal album

Rafi sang several songs with Lorna Cordeiro in Chris Perry’s Konkani album Golden Hits. He recorded several personal albums in various genres and languages. Rafi recorded Hindi songs in English on 7″ release in 1968. He also sang 2 songs in Mauritian Creole during his visit to Mauritius in the late 1960s.
royalty issue

In 1962–1963, the dispute over royalties

In 1962–1963, popular female playback singer Lata Mangeshkar raised the issue of playback singers’ share in royalties. Recognizing Rafi’s status as the leading male playback singer, she wanted him to support her in her demand for half of the 5% song royalties, which the film’s producer agreed to in order to choose the composers. Rafi refused to take his side, saying that his claim on the filmmaker’s money ended with paying him his agreed fee for the song. Rafi argued that the producer takes the financial risk and the composer creates the songs, so the singer has no claim on the royalty money. Lata saw his stance on the royalty issue as an obstacle and said that it is also because of the singer’s name that records are sold. This difference of opinion later led to differences between the two. During the recording of “Tasveer Teri Dil Mein” (Maya, 1961), Lata argued with Rafi over a certain part of the song. Rafi realized this when music director Salil Chaudhary supported Lata. The situation worsened when Lata announced that she would no longer sing with Rafi. Rafi said that he was as eager to sing with Lata as Lata was with him. Music director Jaikishan later negotiated a reconciliation between the two. In an interview with The Times of India on 25 September 2012, Lata claimed that she had received a written apology from Rafi. However, Mohammed Rafi’s son Shahid Rafi refuted the claim, calling it an act that would hurt his father’s reputation.

Early 1970s

In the 1970s, Rafi suffered from chronic throat infections. During a brief period, he recorded relatively few songs. Although his musical output during this period was relatively low, he still produced some of his best songs.

In the early 70s, Rafi got a big shock when Kishore Kumar emerged as the main playback singer of Bollywood along with Aradhana.

He regained some lost ground in 1977, but the main songs of this period were by Kishore Kumar.

Some of Rafi’s hit songs in the early 1970s were with music directors: Laxmikant-Pyarelal, Madan Mohan, R. D. Burman and S. D. Burman. These include “Tum Mujhe Yun Bhula Na Paoge” (a signature song of 1971), Pagla Kahin Ka; “Yeh Duniya Yeh Mehfil” from Heer Ranjha (1970); “Earrings” from Sawan Bhadons; “Jhilmil Tetaron Ka” from Jeevan Mrityu (1970); “Pink Eyes” from The Train (1970); “Just like that you talk to me” from Sacha Jhoota; “Yeh Jo Chilmun Hi” and “Itna To Yaad Hai Mujhe” from Mehboob Ki Mehndi (1971); “My heart is thirsty for you” from Gambler; “Chadhti Jawaani” and “Kitna Pyaara Vada” from Caravan (1971); “Chalo Dildaar Chalo” from Pakeezah (1972); “Chura Liya Hai Tumne” from Yaadon Ki Baaraat (1973); “Na Tu Zoom Ke Liye” from Dilip Kumar’s film Dastaan (1972); “Tum Jo Mil Gaye Ho” from Hanste Zakham (1973); “Tere Bindiya Re” from Abhiman (1973) and “Aaj Mausam Bada Beimaan Hai” from Loafer (1973).

Later Years

Rafi returned as a lead singer in the mid-1970s. In 1974, he won the Film World magazine Best Singer Award for the song “Teri Galiyan Mein Na Rakhenge Kadam Aaj Ke Baad” (Hawas, 1974) composed by Usha Khanna.

In 1976, Rafi sang all the songs for Rishi Kapoor in the hit film Laila Majnu. Rafi sang several more songs for Rishi Kapoor in subsequent hit films, including Hum Kisi Se Kum Nahi (1977) and Amar Akbar Anthony (1977). In 1977, she won both a Filmfare Award and a National Award for the song “Kya Hua Tera Vaada” from the film Hum Kisi Se Kum Nahin, composed by R.D. Burman. He was nominated as Best Singer at the Filmfare Awards for the qawwali “Parda Hai Parda” from Amar Akbar Anthony (1977).

Rafi sang for several successful films in the late 1970s and early 1980s, many of whose hit songs dominated radio programs such as Vividh Bharati, Binaka Geetmala and Radio Ceylon in the late 70s. Some of these include Pratigya (1975), Bairaag (1976), Amanat (1977), Dharam Veer (1977), Apnapan (1977), Ganga Ki Saugandh (1978), Suhaag (1979), Sargam (1979), Qurbani. (1980). ), Dostana (1980), Karz (1980), The Burning Train (1980), Abdullah (1980), Shaan (1980), Asha (1980), Aap To Aise Na The (1980), Naseeb (1981) and Zamane Ko Gotta Show (1981). In 1978, Rafi performed at the Royal Albert Hall and in 1980 he performed at the Wembley Conference Centre. From 1970 until his death he toured extensively around the world and performed concerts to packed halls.

In December 1979, Rafi recorded six songs for the Hindi remake of Dilip Sen’s Bengali superhit Sorry Madam; The film was never completed due to a personal tragedy in Dilip Sen’s life. These songs, written by Kafeel Azar and composed by Chitragupta, were released digitally in December 2009 by the Silk Road label under the title “The Last Songs”. The physical album was released only in India by Universal. [citation needed]

Guinness World Records controversy

During his last years, Rafi was involved in the controversy over Lata Mangeshkar’s entry in the Guinness Book of World Records. In a letter to the Guinness Book of World Records on 11 June 1977, Rafi challenged the claim that Lata Mangeshkar had recorded the most number of songs (“not less than 25,000 according to Guinness”). Rafi, according to his fans, might have sung more songs than Lata – she is the senior of the two. He estimated that the number of songs sung by Rafi could be anything between 25,000 to 26,000. This prompted Rafi to write a letter to Guinness in protest. After receiving a reply from Guinness, in a letter dated 20 November 1979, he wrote, “I am disappointed that my request for a reevaluation of Ms. Mangeshkar’s alleged world record has fallen on deaf ears.”[30] In an interview given. Recorded by the BBC in November 1977, Rafi claimed to have sung 25,000 to 26,000 songs by then.
After Rafi’s death, in its 1984 edition, the Guinness Book of World Records named Lata Mangeshkar for “Most Recordings” and said, “Mohammed Rafi (1 August 1980) claims to have recorded 28,000 songs in 11 Indian languages. Done between 1944 and April 1980.

Mohammed Rafi – Golden Voice of the Silver Screen, a 2015 book by Shahid Rafi and Sujata Dev, states that according to “industry sources”, Rafi has composed 4,425 Hindi film songs, 310 non-Hindi film songs and 328 Sung non-film songs. 1945 and 1980. [43] A 2015 Manorama Online article stated that “researchers” had found 7,405 songs sung by Rafi.

Among the prominent lead actors of his time, Rafi sang 190 songs for Shammi Kapoor, 155 for Johnny Walker, 129 for Shashi Kapoor, 100 for Dev Anand and 77 for Dilip Kumar.





Intaqal (Beloved of Allah)

On July 31, 1980, at 10:25 pm, Mohammed Rafi died of a heart attack at the age of 55. The last song sung by Rafi was for the film Aas Paas, which had music by Laxmikant-Pyarelal. A source says it is “Shaam phir kyun udas hai dost/Tu kahin aas paas hai dost”, which was recorded a few hours before his death. Another source says it was “the talk of the town” from the same film.

Rafi was buried in the Juhu Muslim cemetery and his burial was attended by one of the largest funeral processions in India, as over 10,000 people attended his burial. [52] The Government of India declared two days of public mourning in his honour.

In 2010, Rafi’s grave along with that of many film industry artistes like Madhubala was demolished to make room for new burials. Fans of Mohammed Rafi, who visit his grave twice a year to mark the anniversaries of his birth and death, use the coconut tree closest to his grave as a marker.




Rafi’s singing style has inspired Kavita Krishnamurthy, Mahendra Kapoor, Mohammad Aziz, Shabbir Kumar, S. Influenced singers like P. Balasubramaniam, Udit Narayan, and Sonu Nigam. Anwar also imitated Rafi’s voice.

On September 22, 2007, a shrine to Rafi, designed by artist Tasawwar Bashir, was unveiled in Fazeli Street, Birmingham, UK. Bashir is hoping that Rafi will receive sainthood as a result. Padma Shri Mohammed Rafi Chowk (extension of MG Road) in the Bandra suburbs of Mumbai and Pune is named after Rafi.

In the summer of 2008, the City of Birmingham Symphony Orchestra released a double CD titled Rafi Resurrected, which included 16 of Rafi’s songs. Bollywood playback singer Sonu Nigam provided vocals for the project and toured with the CBSO in July 2008 at the English National Opera in London, Manchester’s Apollo Theater and Symphony Hall, Birmingham, among other venues.

Appeals have been made to the Government of India to posthumously honor the singer with the Bharat Ratna (India’s highest civilian award).

In June 2010, Rafi, along with Mangeshkar, was voted the most popular playback singer in a poll conducted by Outlook magazine. “Man Re, Tu Kahe Na Dheer Dhare” (Chitralekha, 1964), sung by Rafi, was voted as the number 1 song in the same survey. Three songs tied for the number 2 spot; Two were sung by Rafi. The songs were “Tere Mere Sapne Ab Ek Rang Hain” (Guide, 1965) and “Din Dhal Jaye, Hai Raat Na Jaye” (Guide, 1965). The jury included people from the Indian music industry. In 2015, UK-based newspaper Eastern Eye ranked Rafi third in its “Greatest 20 Bollywood Playback Singers” list.

An official biography on Rafi’s life was written by Sujatha Dev titled Mohammed Rafi – Golden Voice of the Silver Screen which was launched on his 91st birthday. Also an award winning documentary (which took 5 years to make) titled Dastaan-e-Rafi directed by Rajni Acharya and Vinay Patel was released to commemorate his 92nd birthday which was later released on DVD. It featured over 60 interviews of various Bollywood personalities and closely recounted their story through their songs and personal details. Many biographies and documentaries are being written and made on him.

Lata Mangeshkar, his contemporary, has said that “Rafi bhaiya was not only India’s greatest playback singer but also a wonderful person” and that “he was a singer whose vocal range could surpass that of any other singer. Be it me, Asha, Mannada or Kishore Bhaiya”.

When producer-director Manmohan Desai (who was a big fan of Rafi and used him in many hit films) was asked to describe Rafi’s voice, he remarked that “If anyone has the voice of God , then he is Mohammed Rafi”.

Annually his birth and death anniversaries inspire several thousand musical tributes on stage, radio and television.

Rafi’s popularity today extends throughout the Indian subcontinent, reaching Indian communities in Singapore and Malaysia.

Even today, Rafi’s popular songs continue to be remixed or recreated.

Rafi’s Baharon Phool Barsao was voted the most popular Hindi song in a BBC Asia Network poll commemorating 100 years of Hindi cinema.

In a 2013 CNN-IBN poll, he was voted the greatest voice of Hindi cinema.

In 2001, Rafi was named “Best Singer of the Millennium” by Hero Honda and Stardust magazine.


In Popular Culture

The Mohammed Rafi Academy was launched in Mumbai on 31 July 2010, the 30th anniversary of the singer’s death, by his son Shahid Rafi to provide training in Indian classical and contemporary music.
After his death, several Hindi films were dedicated to Rafi, including: Allah Rakha, Mard, Coolie, Desh-Premi, Naseeb, Aas Paas and Hiralal-Pannalal.
“Na Fankar Tujhsa”, a song from the 1990 Hindi film Krodh starring actor Amitabh Bachchan and sung by singer Mohammed Aziz, was also dedicated to Rafi’s memory.
Rafi is one of the recording artists featured in the 1997 British alternative rock song “Brimful of Hope” by Cornershop.
Rafi’s song from the film Gumnaam (1965), “Jaan Pehchaan Ho”, was used on the soundtrack of Ghost World (2001). The film begins with the main character dancing to a video by Gumnaam in her bedroom. The song has also been used for Heineken’s 2011 “The Date” advertisement.
Rafi was remembered on his 93rd birth anniversary by search engine Google, which featured a special doodle for him on its Indian home page on 24 December 2017.
His “Aaj Mausam Bada Beimaan Hai” is featured in the 2001 film Monsoon Wedding. His “Kya Mil Gaya” (Sasural, 1961) has been used in The Guru (2002), where Ramu and Sharona sing a version of the song. His song “Mera Mann Tera Pyaasa” (The Gambler, 1970) has been used as one of the soundtracks in the Jim Carrey-Kate Winslet starrer Eternal Sunshine of the Spotless Mind (2004). The song is played in the background of Kate Winslet’s character’s house while the lead pair are having drinks

Personal Life

Rafi married twice; His first marriage was to his cousin sister Bashira Bibi, which took place in his native village. The marriage ended when his first wife refused to live in India and moved to Lahore, Pakistan after her parents were murdered during the riots of the partition of India. His second marriage was to Bilkis Bano.

Rafi had four sons and three daughters; His first son, Saeed, was from his first marriage. [86] Rafi’s hobbies include badminton, playing carrom and kite flying. He was a teetotaler and avoided smoking and he avoided parties in the industry.

According to Mohammed Rafi Voice of a Nation, a book authorized by Rafi’s son Shahid, he is described as “a gentle, quiet and well-mannered man, who was humble, selfless, ego-less, devoted, God-fearing.” Remained a gentleman who loved his family and friends. his life.” Rafi was known for not sending anyone back empty handed when he met him. He contributed to the society by helping people through his donations and notable works.






>National Award

In the year 1977 – The song “Kya Hua Tera Vaada” won the National Award for the film Hum Kisi Se Kum Nahin for which the music director was Rahul Dev Burman and the writer was Majrooh Sultanpuri Sahab.

Awards and Honors

Filmfare Awards (nominated and won)

1960 – Chaudhvin Ka Chand Ho (Film – Chaudhvin Ka Chand) – Vijayt
1961 – Husnwale Tera Jawab Nahi (Film – Gharana)
1961 – Teri Pyaari Pyaari Surat Ko (Film – Sasural) – Vijit
1962 – Ae Gulbadan (Film – Professor)
1963 – Mere Mehboob Tujhe Meri Mohabbat Ki Kasam (Film – Mere Mehboob)
1964 – Chahunga Mein Tujhe (Film – Dosti) – Vijay
1965 – Let the delicate lips touch (film – Kajal)
1966 – Baharon Phool Barsao (Film – Suraj) – Vijay
1968 – Main Gaun Tum So Jaao (Film – Brahmachari)
1968 – Babul Ki Duaane Leti Jaa (Film – Neelkamal)
1968 – Dil Ke Jharokhe Mein (Film – Brahmachari) – Vijit
1969 – Badi Mushkil Hai (Film – Jeene Ki Raah)
1970 – Knowing you are a toy, you break my heart (film – Khilona)
1973 – Humko To Jaan Se Pyaari Hai (Film – Naina)
1974 – Achcha Hi Hua Dil Tut Gaya (Film – Mother, Sister and Wife)
1977 – Parda Hai Parda (Film – Amar Akbar Anthony)
1977 – Kya Hua Tera Vaada (Film – Hum Kisi Se Kum Nahin) –Vijit
1978 – Aadmi Musafir Hai (Film – Apnapan)
1979 – Chalo Re Doli Uthaao Kahar (Film – Jaani Dushman)
1979 – Mere Dost Kissa Yeh (Film – Dostana)
1980 – Dard-e-Dil, Dard-e-Zigar (Film – Karz)
1980 – I asked the moon (film – Abdullah)

Provided by Government of India
Postal stamp issued by the Government of India in memory of Mohammed Rafi

1965 – Padma Shri
1968 – Babul Ki Duaane Leti Jaa (Film: Neelkamal).
1977 – Kya Hua Tera Vaada (Film: Hum Kisi Se Kum Nahin).




Hindi Actor

Amitabh Bachchan, Ashok Kumar, IS Johar, Rishi Kapoor, Kishore Kumar, Guru Dutt, Gulshan Bawra, Jagdeep, Jeetendra, Joy Mukherjee, Johnny Walker, Tariq Hussain, Dev Anand, Dilip Kumar, Dharmendra, Naveen Nishchal, Pran, Parikshit Sahni. , Prithviraj Kapoor, Pradeep Kumar, Feroz Khan, Balraj Sahni, Bharat Bhushan, Manoj Kumar, Mehmood, Randhir Kapoor, Raj Kapoor, Raj Kumar, Rajendra Kumar, Rajesh Khanna, Vinod Khanna, Vinod Mehra, Vishwajeet, Sunil Dutt, Sanjay Khan, Sanjeev Kumar, Shammi Kapoor, Shashi Kapoor, Mithun Chakraborty, Govinda!
Other languages

NT Rama Rao (for Telugu film Bhale Tummadu and Aradhana), Akkineni Nageswara Rao (for Hindi film – Suvarna Sundari)

some popular songs

O Keeper of the World (Baiju Bawra-1952)
Shower flowers in the spring, my lover has come (Sun)
The weather is very bad today
Yeh Hai Bombay Meri Jaan (CID, 1957), comedy song
Sir Jo Tera Chakrae, (Pyaasa – 1957), comedy song
We are no less than anyone* even if someone calls me a jungle (Junglee, 1961)
I am mad Yamla
my rising youth
Hum Kale Hain To Kya Hua Dilwale Hain, (Gumnam, 1966), comedy song
let me tell you a secret
This is Ishq-Ishq
curtain is curtain
O protector of the world – devotional song
Badi Dere Bhai Nandlala – Devotional Song
Everyone is a companion in happiness and no one in sorrow – Devotional song
Mere Shyam Tera Naam – Devotional Song
Mere Desh Me Pawan Chale Purvaiya – Patriotic Song
Hum Laaye Hain Toofan Se Kashti Nikal Ke (Film-Jagriti, 1954), Patriotic song
Now handed over to you – Patriotic song
This is a country of brave soldiers, patriotic song
Apna azadi ko hum, patriotic song
Nanhe Munne Bachche Teri Mutthi Mein Kya Hai,- Children’s song
Re Mama Re Mama – Children’s Song
Chakke pe chakka, – children’s song
Man Tadpat Hari Darshan Ko Aaj, (Baiju Bawra, 1952), Classical Music
Sawan Aaye Ya Na Aaye (Dil Diya Dard Liya, 1966), classical music
Radhika in Madhuban, (Kohinoor, 1960), classical
Man Re Tu Kahe Na Dheer Dhare, (film – Chitralekha, 1964), classical music
Babul Ki Dua, – Wedding Song
Today is my friend’s wedding, – wedding song

Other languages


Shodhishi Manava Rauli Mandiri (Non-filmi)
Hey Mana Koi Bagh Tula Saad Ghali Today (Non-filmi)
Ha Chhand Jiwala Lavi Pise (Non-filmi)
Rare songs (Non-filmi)
Aang Pori Sambhal – Koligiet (Non-filmi; with Pushpa Pagdhare)
Lord, you are a kind and merciful giver (Non-filmi)
Hasa Mulanno Hasa (Non-filmi)
Ha ruasva sod sakhe, pure ha bahana (Non-filmi)
Nako Bhavya Wada (Non-filmi)
My Deserted Heart (Non-filmi)
Khel Tujha Nyara, Prabhu Re (Non-filmi)
Nako Aarti Garland (Non-filmi)


Yentha Varu Kani Vedantulaina Kani (film: Bhale Thammudu)
Na Madi Ninnu Pilichindi Ganamai (film:Aradhana)
Taralentaga Vecheno Chanduruni Kosam (film:Akbar Salim Anarkali)
Sipaaee o Sipaaee (Duet with P. Susheela)


Asomire sutalote (Non-filmi)
Hey sir hoi (Non-filmi)





Number of songs

There is some controversy over the total number of songs Rafi sang in his life. In the 1970s, the Guinness Book of World Records wrote that the credit for recording the most songs goes to Lata Mangeshkar, who has recorded a total of 25,000 songs. Rafi wrote a letter to the Guinness Book refuting this. In subsequent editions, the Guinness Book juxtaposed the claims of both singers and credited Muhammad Rafi with recording 28,000 songs between 1944 and 1980. Subsequent research by Vishwas Nerurkar found that Lata had actually sung only 5,044 songs till 1989. Other researchers have also accepted this fact as true. Additionally, Raju Bharatan found that only 35,000 Hindi songs were recorded between 1948 and 1987. In such a situation, it is difficult to believe that Rafi sang 28,000 songs, but some sources still quote this number. After this research, in 1992, Guinness Book removed the above singing record from the book.